The Alexander String Quartet has performed
in the major music capitals of five continents, securing its
standing among the world’s premier ensembles, and a major artistic
presence in its home base of San Francisco, serving since 1989 as
Ensemble in Residence of San Francisco Performances and Directors
of The Morrison Chamber Music Center Instructional Program at San
Francisco State University. Widely admired for its interpretations
of Beethoven, Mozart, and Shostakovich, the quartet’s recordings
have won international critical acclaim. They have established
themselves as important advocates of new music commissioning
dozens of new works from composers including Jake Heggie, Cindy
Cox, Augusta Read Thomas, Robert Greenberg, Cesar Cano, Tarik
O’Regan, Paul Siskind, and Pulitzer Prize-winner Wayne Peterson.
Samuel Carl Adams’ new “Quintet with Pillars” was premiered and
has been widely performed across the U.S. by the Alexander with
pianist Joyce Yang, and will be introduced to European audiences
in the 2020-2021 season.
The Alexander String Quartet’s annual calendar includes engagements at major halls throughout North America and Europe. They have appeared at Lincoln Center, the 92nd Street Y, and the Metropolitan Museum; Jordan Hall; the Library of Congress; and chamber music societies and universities across the North American continent including Yale, Princeton, Stanford, Lewis and Clark, Pomona, UCLA, the Krannert Center, Purdue and many more. Recent overseas tours include the U.K., the Czech Republic, the Netherlands, Italy, Germany, Spain, Portugal, Switzerland, France, Greece, the Republic of Georgia, Argentina, Panamá, and the Philippines. Their visit to Poland’s Beethoven Easter Festival is beautifully captured in the 2017 award-winning documentary, Con Moto: The Alexander String Quartet.
Distinguished musicians with whom the Alexander String Quartet has collaborated include pianists Joyce Yang, Roger Woodward, Menachem Pressler, Marc-André Hamelin, and Jeremy Menuhin; clarinetists Joan Enric Lluna, Richard Stoltzman, and Eli Eban; soprano Elly Ameling; mezzo-sopranos Joyce DiDonato and Kindra Scharich; violinist Midori; violist Toby Appel; cellists Lynn Harrell, Sadao Harada, and David Requiro; and jazz greats Branford Marsalis, David Sanchez, and Andrew Speight. The quartet has worked with many composers including Aaron Copland, George Crumb, and Elliott Carter, and enjoys a close relationship with composer-lecturer Robert Greenberg, performing numerous lecture-concerts with him annually.
Recording for the FoghornClassics label, their release in 2019 of the Late Quartets of Mozart, has received critical acclaim. (“Exceptionally beautiful performances of some extraordinarily beautiful music.” –Fanfare), as did their 2018 release of Mozart’s Piano Quartets with Joyce Yang. (“These are by far, hands down and feet up, the most amazing performances of Mozart’s two piano quartets that have ever graced these ears” –Fanfare.) Other major releases have included the combined string quartet cycles of Bartók and Kodály (“If ever an album had ‘Grammy nominee’ written on its front cover, this is it.” –Audiophile Audition); the string quintets and sextets of Brahms with Toby Appel and David Requiro (“a uniquely detailed, transparent warmth” –Strings Magazine); the Schumann and Brahms piano quintets with Joyce Yang (“passionate, soulful readings of two pinnacles of the chamber repertory” –The New York Times); and the Beethoven cycle (“A landmark journey through the greatest of all quartet cycles” –Strings Magazine). Their catalog also includes the Shostakovich cycle, Mozart’s Ten Famous Quartets, and the Mahler Song Cycles in new transcriptions by Zakarias Grafilo.
The Alexander String Quartet formed in New York City in 1981, capturing international attention as the first American quartet to win the London (now Wigmore) International String Quartet Competition in 1985. The quartet has received honorary degrees from Allegheny College and Saint Lawrence University, and Presidential medals from Baruch College (CUNY). The Alexander plays on a matched set of instruments made in San Francisco by Francis Kuttner, known as the Ellen M. Egger quartet.