
Thursday,
April 20, 2006
Daedalus Quartet: dynamic, exuberant,
insightful
By Melinda
Bargreen
There are so
many fine new string quartets and chamber ensembles today that it can
be hard to keep them straight — but there’s no fear of the Daedalus
Quartet getting lost in the shuffle. This outstanding young foursome,
winners of the 2001 Banff International Quartet Competition, is already
charting a secure course through the world’s leading concert halls,
from Carnegie to the Amsterdam Concertgebouw, the Salzburg Mozarteum to
the Vienna Musikverein.
The Daedalus made a stop in Meany Theater Tuesday evening for an
International Chamber Series program that spanned three very different
musical styles, all expertly realized. Seattle pianist Byron Schenkman
was the guest artist in one of the great, burnished chestnuts of the
repertoire, the Dvorák Piano Quintet.
The four Daedalus members — sibling violinists Kyu-Young Kim and
Min-Young Kim, violist Jessica Thompson and cellist Raman Ramakrishnan
— made an immediate impression with their exuberant playing in the
Mendelssohn D Major String Quartet (Op. 44, No. 1), which was full of
verve and energy. Equally effective, however, were the perfectly
controlled dynamics, including an elegant pianissimo that was achieved
with no loss of intensity or focus. It was a beautifully detailed,
finished performance.
The Bartók String Quartet No. 3 that followed was a study in
contrasts, and here the Daedalus’ precision ensemble playing was
especially noteworthy: both incisive and unified. Kyu-Young Kim’s
commentary before the Bartók was well-judged and insightful.
The Dvorák brought in the partnership of pianist Schenkman, who
has made his earlier career as a harpsichordist and brings to the
modern instrument a clarity and articulation that illuminated the
score. He made the piano sparkle in the speedy Scherzo. Balances were
excellent with the Daedalus players’ warm sound and smooth blend, as
the five musicians wove their way through abundant tempo changes and
knit together a solid, stylish performance. Encore, encore.