Winners of both the First Prize and Amadeus Prize at
the Wigmore Hall International String Quartet Competition, the
Formosa Quartet is “one of the very best quartets of their
generation” (David Soyer, cellist, Guarneri Quartet). Hailed
as “spellbinding” (The Strad) and “remarkably fine” (Gramophone),
the Formosa Quartet has given critically
acclaimed performances at the Library of Congress, the Da Camera
Society of Los Angeles, the Chicago Cultural
Center, the Walter Reade Theater at Lincoln Center, the National
Concert Hall in Taipei, Wigmore Hall in London, die
Glocke Bremen, and the Kammermusiksaal at the Berliner
Philharmonie. The ensemble is deeply committed to
championing Taiwanese music and promoting the arts in Taiwan, as
well as exploring diverse and adventurous
mediums for string quartet.
The Formosa Quartet undertakes a variety of residencies at organizations and institutions across North America and Asia. In 2013, the Quartet founded the annual Formosa Chamber Music Festival, which represents one of its primary missions: to bring high-level chamber music training to talented young musicians in Taiwan, while simultaneously offering first-rate music to Taiwanese audiences of all ages. Formosa is also the faculty quartet-in-residence at NYO Canada, holds week-long performance and teaching residencies at Eastern Michigan University and the University of California, Los Angeles, and has enjoyed residencies with Art of Élan, Rice University, and University of California, San Diego.
The Formosa Quartet has played a leading role in actively commissioning new works, contributing significantly to the modern string quartet repertory. Formosa’s 2019 milestone album From Hungary to Taiwan includes premiere recordings of three Formosa commissions: Lei Liang’s Song Recollections, Dana Wilson’s Hungarian Folk Songs, and Wei-Chieh Lin’s Five Taiwanese Folk Songs. Other works composed for the Quartet include pieces by Dana Wilson, Wei-Chieh Lin, Shih-Hui Chen, and Clancy Newman.
The members of the Formosa Quartet – Jasmine Lin, Wayne Lee, Che-Yen Chen, and Deborah Pae – have established themselves as leading solo, chamber, and orchestral musicians. With degrees from the Juilliard School, Curtis Institute of Music, and New England Conservatory, they have performed in major venues throughout the United States, Asia, and Europe, and have been top prizewinners in prestigious competitions such as the Paganini, Primrose, Fischoff, Naumburg, and Tertis competitions. As chamber musicians, they have appeared regularly at the Marlboro, Kingston, Santa Fe, and Ravinia festivals, as well as at the Chamber Music Society of Lincoln Center, La Jolla Summerfest, and the Seattle Chamber Music Society. The members of the Formosa Quartet are currently on faculty at Eastern Michigan University, the University of Illinois at Urbana-Champaign, Roosevelt University, and the University of California, Los Angeles. They have previously held principal positions in the San Diego and Cincinnati Symphonies as well as faculty positions at the University of Southern California, Taos School of Music, McGill University, and the Juilliard School.
Formed in 2002 when the four Taiwanese-descended founders came together for a concert tour of Taiwan, the Formosa Quartet’s cultural identity has since expanded to include broader American and pan-Asian roots. Their name “Formosa” is still a tribute to the culture of Taiwan, but is also largely taken in its most basic sense: Portuguese for “beautiful.”
The Formosa Quartet forms an octet with violins Andrea Guarneri (1662) and Joseph Curtin (2001), an Enrico Catenari viola (1680), and a Vincenzo Postiglione cello (1885).